Bum Rush the Show was released [in the spring of 1987], we was already in the trenches recording Nation of Millions," stated lead MC Chuck D.[13], With It Takes a Nation of Millions to Hold Us Back, the group set out to make what they considered to be the hip hop equivalent to Marvin Gaye's What's Going On, an album noted for its strong social commentary. The album received widespread acclaim from critics, who praised its production techniques and the socially and politically charged lyricism of lead MC Chuck D. It also appeared on many publications' year-end top album lists for 1988 and was the runaway choice as the best album of 1988 in The Village Voice's Pazz & Jop critics' poll, a poll of the leading music critics in the US.[6]. It Takes a Nation of Millions to Hold Us Back is the second studio album by American hip hop group Public Enemy, released on June 28, 1988.The group set out to make the hip hop equivalent to Marvin Gaye's What's Going On, an album noted for its strong social commentary.Recording sessions took place throughout 1987 and 1988 at Chung King Studios, Greene St. Recording, and Sabella Studios in New … "[14] In order to ensure that their live shows would be as exciting as those they played in London and Philadelphia, the group decided that the music on Nation of Millions would have to be faster than that found on Yo! [20] When using records for sampling, Shocklee stated that he'd sometimes put them on the ground and stomp on them if they sounded too "clean. But it's YouTube and iLike and MySpace and file sharing which highlighted the existence of it. [7][8][9] Upon the album's remastered reissue in 1995, Q hailed it "the greatest rap album of all time, a landmark and classic". Log in now to tell us what you think this song means. ", "Acclaimed Music – The Top Albums from 1988", "Acclaimed Music – The All Time Top 3000 Albums", "The 100 Best Albums of the 1980s – Feature – Slant Magazine", "Spex (1999–2000) Die 100 Alben des Jahrhunderts – Kritiker–Rock Pop Musik Bestenlisten", "Eggman – Beastie Boys' Paul's Boutique Samples and References List", "The Game – Doctor's Advocate (The Samples) – Hip Hop Is Read", "Acclaimed Music – It Takes a Nation of Millions to Hold Us Back", "allmusic ((( It Takes a Nation of Millions to Hold Us Back > Credits )))", "everyHit.com – UK Top 40 Chart Archive, British Singles & Album Charts – Format Search: Albums – Artist Search: Public Enemy", "British album certifications – Public Enemy – It Takes a Nation of Millions to Hold Us Back", "American album certifications – Public Enemy – It Takes a Nation of Millions to Hold Us Back", It Takes a Nation of Millions to Hold Us Back. Hank Shocklee decided to flip the sides just before the mastering of the album and start the record with Dave Pearce introducing the group during their first tour of England. And yeah, it's radical politically... because it's not really being said a lot. Most of My Heroes Still Don't Appear on No Stamp. "She Watch Channel Zero?!" [43], Despite writing that it "sounds powerful, fresh and galvanizing", Mark Jenkins of The Washington Post found its lyrical content inconsistent, stating "Aurally, 'Nation of Millions' is intoxicating; Hank Shocklee and Carl Ryder's bold production will likely prove among the most distinctive of the year, not just in rap but in any pop genre. "On the day that Yo! [19] The material was recorded in 30 days for an estimated $25,000 in recording costs,[20] due to an extensive amount of preproduction by the group at their Long Island studio. This was also where Chuck wrote a fistful of lyrics that promoted him to the position of foremost commentator/documentor of life in the underbelly of the USA". "[19] It was decided amongst the group that the album should be exactly one hour long, thirty minutes on each side. [15] "Years of saved-up ideas," noted Chuck, "were compiled into one focussed aural missile. [42] Jon Pareles of The New York Times praised the album for its production and compared its symbolic value to hip hop music at the time, stating: Where most rappers present themselves as funky individualists, beating the odds of the status quo, Public Enemy suggests that rap listeners can become an active community, not just an audience. [23] The two sides of the album were originally the other way around, the album beginning with "Show Em Whatcha Got" which leads into "She Watch Channel Zero?!". Yo! Jesse Jackson, "Bring the Noise" and "Miuzi Weighs a Ton" by Public Enemy, Assistant production – Eric "Vietnam" Sadler, Engineering – Greg Gordon, John Harrison, Jeff Jones, Jim Sabella, Nick Sansano, Christopher Shaw, Matt Tritto, Chuck Valle, Mixing – Keith Boxley, DJ Chuck Chillout, Steven Ett, Rod Hui, Programming – Eric "Vietnam" Sadler, Hank Shocklee, Turntables – Johnny Juice Rosado, Terminator X, Vocals – Harry Allen, Chuck D, Fab 5 Freddy, Flavor Flav, Erica Johnson, Professor Griff, This page was last edited on 7 October 2020, at 07:19. He was way ahead of his time, because he dared to challenge the odds in sound. "Eric was the musician, Hank was the antimusician. [14] As said by Chuck, "our mission was to kill the 'Cold Gettin' Dumb' stuff and really address some situations. Recording. [45], In its year-end list of 1988's best albums, Q called It Takes a Nation "a blistering collage of beat box [sic], rock guitar, police-radio chatter and high-velocity rapping. (1 fan), Public Enemy is an American hip hop group consisting of Chuck D, Flavor Flav, Professor Griff and his S1W group, DJ Lord (DJ who replaced Terminator X in 1999), and Music Director Khari Wynn. Most important of all, it sounded fresh. (You Gotta) Fight for Your Right (To Party! [20] The album itself was mixed with no automation, instead of being recorded on analog tape and later painstakingly mixed by hand. Get instant explanation for any lyrics that hits you anywhere on the web! We believed that music is nothing but organized noise. [60] NME dubbed it "the greatest hip-hop album ever" at the time, stating "this wasn't merely a sonic triumph. Since its initial reception, It Takes a Nation of Millions to Hold Us Back has been regarded by music writers and publications as one of the greatest and most influential albums of all time.

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