Edit Opening Theme "Kaze no Tani no Naushika (風の谷のナウシカ; Nausicaä of the Valley of the Wind)" by Joe Hisaishi. “There are no fancy creatures. In one scene, Jiro is told that artists are only creative for ten years of their life; Miyazaki has spent four decades churning out masterpieces, so it could be easily read as a suggestion to give up before becoming complacent. This here is Miyazaki’s trademark and it’s a mean feat indeed – establishing plenty of gravitas even when the establishment is a painted universe. The duo wrestled with one of Miyazaki’s original lines: “I’ve loved you since the day you rescued you my hat.” Jones found the line ambiguous; had Jirô loved Nahoko for that many years? Jones found a similar problem with a later scene where Jirô tells Nahoko’s father Satomi (Macy) that he wishes to be with his daughter. The Wind Rises (Japanese: 風立ちぬ, Hepburn: Kaze Tachinu) is a 2013 Japanese animated historical drama film written and directed by Hayao Miyazaki, animated by Studio Ghibli for the Nippon Television Network, Dentsu, Hakuhodo DY Media Partners, Walt Disney Japan, Mitsubishi, Toho and KDDI and distributed by Toho. If The Wind Rises is truly Miyazaki’s final film, and if Marshall and his Disney compatriot John Lasseter (who is also the head of Pixar) feel the deep reverence for the animator that they claim to, why not deliver the film the way it was meant to be seen? Jun 18, 2009. Based upon Miyazaki’s manga and Tatsuo Hori’s short novel, The Wind Rises chronicles the life of Jiro Horikoshi, a man who has a deep passion for airplanes. My favourite Studio Ghibli films are the ones that jettison fantasy to focus on social realist elements (Grave of the Fireflies, Only Yesterday, Whisper of the Heart), but work because of character and/or situation relatability; this feels like such a personal film to Miyazaki that it risks leaving the audience emotionally unengaged. Look, you’re going to have to watch it for yourself. He says the The Wind Rises was the most fragile Ghibli film to date. The film is a largely fictionalised biopic of Jiro … We counted three “titty meat” references. Again, recognizable names are plenty – Joseph Gordon-Levitt (Inception), John Krasinski (The Office), Emily Blunt (Looper), Stanley Tucci (Easy A), Mae Whitman (Scott Pilgrim) Werner Herzog (Nosferatu) and William H. Macy (Fargo) – but there’s solid evidence of respect for the characters they give souls to. The physical appearance of Jiro is reminiscent of the appearance of a young Miyazaki; something deliberately done to leave you in no doubt this is his most personal effort. ( Log Out /  He didn’t try and mimic, but he used it as a starting point. These dream sequences are spectacular on the big-screen, communicating not only the plot but also the theme. Frederick Douglass (Daveed Diggs) is introduced in direct dichotomy to Brown in an episode that purposely pushes our buttons. Titles are often a direct translation, condensed so that the viewer has time to read a before it flashes to the next bit of a dialogue. BANE Calm, Doctor. The dub is subtle.”. To the producer, the beauty of Miyazaki comes from what American films rarely provide: quiet reflection. “We always err on the side of making the performances work rather than lock dead on to the moving lips.”. I was left thinking of the Stewart Lee joke about why he doesn’t watch Breaking Bad; “why would I want to watch a man make a career out of something clearly beneath him”? “We rewrite, change around words and timing while on the stage recording with actors, to find that balance that sounds right to our ears but fits the lips,” he says. It could easily be argued that it mirrors Miyazaki’s own career, something fitting if this is to be his final film. It was a matter of altering that line slightly to get to what it really says rather than a misinterpretation that American audiences would put on to it.” Jones ultimately changed the line to “I’m in love with you and nothing is going to stop me,” imbuing the line with a charge of immediacy. We must try to live!”). “So the script process is trying to find a way of speaking, a vocabulary or syntax, that works for an English audience … Either finding colloquialisms or English-speaking vocabularies that get across Miyazaki’s design.”. “The Wind Rises” is Hayao Miyazaki’s latest, and last, movie. “Back in the early 2000s [after Princess Mononoke and Spirited Away] when we were in Japan during a publicity trip, we called Studio Ghibli to see if we could meet Miyazaki-san,” he says with absolute glee. When assembling a team to “adapt” The Wind Rises, Marshall went to the professionals. This is a sample script (transcript) of "The Wind Rises" (2013) written in Japanese and English. You can click here to refresh with a new set. “They were very sweet and said, ‘Yes, of course.’ We talked. Meanwhile, you can take a look at our collection of fonts for cars, pop music and apparel as well as round-ups of new & fresh fonts around the web. Eventually, he becomes one of the most talented plane-makers and falls in love with a beautiful girl, Nahoko Satomi. When Jirô meets her again years later, he recalls the line — a trigger for his emotions. The 25 Most Iconic Character Descriptions in Film History, How to Write a Great Logline: 3 Questions Every Logline Needs to Answer, 2020 TSL Free Screenplay Contest Finalists, How to Write a Montage: 3 Easy Ways to Format Your Script, Son of God: Hollywood Embraces the ‘Jesus Business’. Offering much more mature content in the form of a historical drama, The Wind Rises documents a decade in the life of the young aviation engineer Jiro Horikoshi, the mind behind one of Japan’s most efficient fighter planes. Marshall openly admires the no-limits creativity that Hollywood doesn’t make much room for. Each actor has his or her own method of capturing the original performance’s spirit.

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